
I Fell for My Dead Sister's Cowboy Husband
Chapter 2
"Mommy, come see Pepper."
Rosie stood outside my bedroom door, clutching a pair of cracked leather cowboy boots that were at least three sizes too big for her. She shoved the stiff leather against my knees, her small face tilted up in expectation.
"Put your boots on," she demanded.
I knelt on the hardwood floor, tapping the heavy lens of my camera against my palm. I refused to answer to that name again, but I refused to make a four-year-old feel punished for missing her mother, too.
"I have a strict camera rule," I told her. "Photographer Aunt Lena refuses to take pictures of anyone who uses the wrong name."
Rosie frowned. "No pictures?"
"Not one. Unless you know my name."
A giggle escaped her. She pointed at the lens. "Aunt Lena."
"Deal." I snapped a photo of her holding the oversized boots.
"Thank you."
Caleb leaned against the hallway doorframe with a coiled lasso over one shoulder. His posture lacked yesterday's rigid hostility. For the first time, I understood the fear underneath it. Rosie had lost her mother at an age when death still looked reversible. A familiar face could turn grief into a dangerous kind of hope.
"Meet me by the fence, Rosie," he said.
She grabbed the boots and ran downstairs.
I followed a few minutes later. The romance of a century-old Montana ranch vanished the second I heard Caleb on the phone in the kitchen.
"I understand the terms, Mr. Porter." His back was to me, one hand braced on the counter. "Give me six weeks before you freeze the operating line. The centennial traffic comes through next month."
He listened, jaw tight.
"No, I am not selling the north pasture."
I stopped in the doorway.
Caleb ended the call and turned. "How long were you standing there?"
"Long enough to know eavesdropping would be more useful if you put your phone on speaker."
His expression hardened. "The ranch finances are not your problem."
"Good. I already have enough problems."
I opened the refrigerator and found three containers labeled with Beth's handwriting, two cartons of milk, and half a jar of mustard. On the counter beside Caleb sat a stack of invoices held down by a salt shaker. Feed. Roofing. Veterinary services. The numbers were large enough that I didn't need to read the totals.
Owen came through the mudroom carrying a broken gate hinge. He was in his late fifties, broad through the shoulders, with a gray beard and the permanently unimpressed expression of a man who had repaired the same property longer than most people stayed married.
"West barn roof is leaking again," he told Caleb. Then he noticed me. "Morning, Lena. Haven't seen you since you photographed that old roan and made him look dignified."
"He was dignified. You were standing behind him making faces."
Owen grunted a laugh.
Caleb did not. "Patch the roof. No replacement panels until I approve them."
"With what?" Owen asked. "We are down to the last dry stack."
The silence answered for him.
Rosie burst through the back door before the argument could start. "Pepper is ready!"
I took the escape she offered. Outside, she led me toward a miniature pony with a spotted rump and enough attitude for a full-sized horse. I photographed her brushing Pepper from a safe angle while Caleb repaired a latch nearby.
"Aunt Lena," Rosie said carefully, testing the title. "Did Mommy take pictures too?"
"Not like me. Mara hated waiting for the right light."
"Daddy says Mommy was good with horses."
"She was better than me."
That answer pleased her. It also hurt more than I expected. Mara and I had spent years measuring ourselves against each other. I had no intention of continuing the competition through her daughter.
Rosie leaned against the fence. "You look the same."
"Almost."
"How do I know?"
I lowered my camera. "Your mom had a tiny scar under her left eyebrow from falling off a bike when we were eight. I don't. I hate strawberry jam. She ate it out of the jar. I take too many pictures. She never had patience for cameras."
Rosie considered this like serious evidence. "Mommy liked purple."
"Exactly. I like green."
"Okay." She pointed to Pepper. "Take another one."
By lunch, she had corrected herself three times without prompting.
Beth arrived carrying a casserole and stopped at the corral when she saw me crouched near the fence.
"Already documenting family life?" she asked.
I kept my camera trained on Pepper. "A pony is not family propaganda, Beth."
"People in town are going to talk."
"Then they should find a better hobby."
Caleb looked up from the gate. "Beth. Enough."
It was the first time he had cut her off for me. He didn't apologize afterward, and I didn't thank him. We were not allies yet.
That evening I visited Elaine at the hospital. She was pale, tired, and furious that the nurses would not let her walk to the bathroom without supervision.
"The ranch looks the same?" she asked.
"More expensive to maintain."
Her eyes sharpened. "Caleb never complains about money."
"That doesn't mean he has any."
"Don't get involved because you feel guilty," she warned. "You always try to fix things right before you leave."
The words landed because they were true often enough to hurt.
Back at Clearwater, I opened the email from my gallery director. My exhibition slot could be held for six weeks if I submitted a replacement series for the work delayed by Elaine's emergency. After that, the gallery would move on.
Six weeks.
I opened Clearwater Ranch's website on my laptop. The homepage photo was five years old. Half the links failed on mobile. The booking calendar did not list the new north trails Owen had mentioned. The ranch's social feed had not been updated in eleven months.
Then I checked the centennial association's page. Clearwater was one of the oldest operating ranches on the route, but its listing had three blurry photos and a paragraph that read like a tax record.
Caleb needed six weeks before the bank tightened the line of credit.
I had six weeks before New York replaced me.
For the first time since I arrived, our problems looked less like competing emergencies and more like the same deadline.
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