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My Husband Bought His Mistress Our Downstairs Apartment Novel Cover

My Husband Bought His Mistress Our Downstairs Apartment

At thirty, she awakens in a penthouse that echoes like a museum—empty, silent, beautiful. Her husband Keaton shares her bed but leaves no warmth, no words, only absence. When she uncovers the devastating truth that he purchased the apartment below for his mistress, her flawless world fractures. This searing modern romance explores shattered illusions and the perilous decisions born from betrayal.
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Chapter 4

The cake was still on the kitchen floor when I got back.

Two days of it. Buttercream gone yellow at the edges, the sponge dried into something gray and crumbling. Nobody had touched it. Not the cleaning service — Keaton had canceled them last month to save money he didn't need to save. Not him.

He was on the couch when I came in. Laptop open, tie loose, a glass of scotch sweating on the coffee table without a coaster. He looked up.

"You're back."

That was it. That was the whole thing.

I stood in the doorway with my overnight bag in my hand and rain still in my hair. My shoulders were a map of purple under my sweater. I could feel every place the broom handle had landed when I breathed.

"You didn't move out," I said.

"Why would I move out?" He didn't even look up from the screen. "It's my apartment."

I'd picked the paint color for that living room. I'd waited four months for the sofa he was sitting on.

"Right," I said.

I went to the kitchen. I got the trash bag and the paper towels and I got down on my knees on the tile and I cleaned up my own birthday cake. It took twenty minutes. He never asked what happened. He never asked where I'd been for two days, or why I moved like something inside me had been rearranged.

He just typed.

---

That was how the next three weeks went.

He lived like a man who had misplaced a receipt and decided it wasn't worth the trouble of looking for it. He came and went. He took the elevator down one floor and came back up smelling like her perfume — something sharp and floral, expensive, nothing like the vanilla soap I'd used for seven years. Some nights he didn't come up at all until one, two in the morning. I'd hear the front door, then the shower, then nothing.

He never apologized. Not once. He never explained.

He corrected me, though. When I asked, once, if he planned to say anything about it, he set his fork down like I'd interrupted something important.

"You made it a spectacle, Cadence. His mother. Julian. Half the firm." He shook his head. "You want an apology from me? You blew up my life over a misunderstanding you refused to hear out."

"A misunderstanding."

"You've always done this." He picked the fork back up. "You build a story in your head and then you punish me for it."

I looked at his face and I waited for the anger. It didn't come. Something else came instead — a flat, cold curiosity, like watching a stranger perform a trick I'd already seen the mechanics of.

He was never going to apologize. Not because he was cruel. Because in his version, there was nothing to apologize for.

---

Yareli got louder.

She knew I'd looked. She knew exactly where I'd look again.

Monday: a video of Keaton at her stove, back to the camera, flipping something in a pan. His shoulders. His weekend sweater, the gray one I bought him in Maine. Caption: *he insists 🍳*

Wednesday: roses in a crystal vase on a windowsill, the same skyline out the glass, one floor lower than mine. *Morning person now 🌹*

Friday: a hand — hers — with a coffee cup, and in the corner of the frame, blurred but unmistakable, his watch on her nightstand.

Then the notification came.

**yareli.cruz wants to follow you.**

I sat on the edge of the bed and stared at it for a long time. My thumb hovered. Accept. Decline. Block.

She wanted me to look. That was the whole point. Every post was a hand on my throat and this was her asking permission to squeeze.

I put the phone face down and didn't answer it. I didn't decline either. I let the request sit there, unresolved, the way everything in my life was sitting unresolved, and I hated myself a little for not being able to do even that much.

The worst part wasn't the posts.

The worst part was the floor.

Our bedroom sat directly over hers. Some nights, when the building went quiet and the traffic on the avenue thinned out, I could hear her laughing. Not words. Just the shape of it — bright, easy, spilling up through the hardwood like water finding a crack. A woman laughing in a room I paid for with seven years of my life.

I lay there with my hand flat against the mattress and I listened to the sound of my replacement being happy underneath me.

---

The email about the Hamptons retreat came on a Tuesday. Sent to the whole firm, and to me, because I'd been on the partner-spouse list since year two.

*Howard & Vance Annual Retreat. Southampton. Cocktails Friday, dinner Saturday. Partners and guests.*

Guests.

Keaton mentioned it once, in passing, buttoning his cuff in front of the mirror.

"Eleanor Croft's coming Saturday. Wear the green dress."

Not *will you come.* Not *are you okay to come.* The green dress. The one that photographed well.

I should have said no. I know that now.

But I hadn't found it yet — the thread. The one loose piece you pull to make the whole thing come apart. I was still living in the wreckage, still moving through the apartment like a caretaker in a house nobody lived in anymore, and some hollowed-out part of me thought that if I just kept performing, the ground would stop shifting.

So I packed the green dress.

---

We drove out Friday afternoon. Two hours on the Montauk Highway, the sun laying itself down flat and gold across the potato fields, the hedgerows going by in long green blurs.

Keaton was on the phone the entire time.

Julian Vance, from the sound of it. Something about the Croft term sheet, then something about a boat, then something that made Keaton throw his head back and laugh — really laugh, loud and open, the laugh I used to work so hard for.

He held the wheel with two fingers. He said *buddy* eleven times. I counted.

He did not say one word to me. Not one. Not *are you cold,* not *do you want to stop,* not *hand me the water.* For two hours I sat eighteen inches from a man I'd loved for seven years and I was furniture. I was the passenger seat.

I watched the hedges go past and thought about how strange it was that I'd stopped expecting anything at all.

At some point he pulled into the drive of the estate — white gravel, boxwood, a caterer's van idling by the service entrance. He killed the engine and finally turned to me, phone still glowing in his hand.

"Yareli's coming Saturday," he said. "She's an associate now. It'd look worse if she wasn't here."

He was already opening his door.

"Don't make it weird."

Behind the house, past the tennis court, someone had planted roses along the whole length of the garden wall. Rows of them, deep red, blooming hard in the last of the light.

I looked at them for a long moment before I got out of the car.

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