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His Mistress Smashed My Daughter’s Ashes Novel Cover

His Mistress Smashed My Daughter’s Ashes

Going into labor unexpectedly at thirty-four weeks, a terrified woman arrives alone at Manhattan Presbyterian in the middle of the night. Desperate for her husband Caspian's comfort, she expects him to rush to her bedside. While he does arrive moments later, the doors do not open for her. This high-tension modern novel of betrayal explores a crumbling marriage, a husband's dark indifference, and the devastating moment a mother realizes she must face her nightmare completely on her own.
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Chapter 3

The alarm came at 2:47 a.m.

I know the exact minute because I was already in the corridor, already counting down the nurse's rounds like I did every night, my socks silent on the tile. I heard it before I understood it. A high, flat shriek, coming from bay four.

I ran.

My incision screamed with every step, but I didn't stop. I hit the NICU doors with both hands and they swung open easier than they should have, like even the hospital had forgotten to lock me out that once.

Her lips were blue. Not pale. Blue, the color of a bruise, the color of something already leaving.

I don't remember deciding to open the incubator. My hands were just there, fumbling the latch, and then two fingers were pressed to the center of her tiny chest, and I was counting, out loud, the way I'd read about in some pamphlet months ago that I never thought I'd need. One. Two. Three.

"Someone help me," I said, and my voice didn't even sound like mine. "She's not breathing, someone help me—"

Arms locked around my waist from behind. I knew the smell of that cologne before I knew whose hands they were.

"Get off her," Caspian said. Not to me. To the air, to the room, like I was a stain being scrubbed out. He hauled me back from the incubator so hard my feet left the floor for a second, and I clawed at his forearms, and I screamed her name even though I had never once been allowed to give her one out loud.

"She's not breathing, Caspian, let me go, let me go—"

"You already hurt her once." His voice cracked through the room like a whip. "You are not touching her again."

He turned his head toward the door, toward the bodyguard who'd followed him in, a big man named Dario who usually just stood by elevators and said nothing. "Get her out of here."

Dario's hand came across my face before I even saw it coming. Once. Then again. Then a third time, my head snapping sideways each time, the taste of copper flooding my mouth, and somewhere behind that ringing in my ears I could still hear the monitor, that horrible flat electronic wail that doesn't change pitch, doesn't rise or fall, just holds one note like it's the only note left.

A nurse was crying. I remember that. A grown woman in scrubs, crying, while a resident called for the crash cart that had already lost its race two rooms and forty seconds too late.

I don't remember what sound I made. People told me later — Elena, months afterward, gently, like she was handing me something fragile — that I screamed. That it was the only time in five years anyone in that house had ever heard me scream. I don't remember it. I remember the flat line on the monitor, and Caspian's arms still around me, tighter now, like he thought I might run at the glass and put my fist through it. I might have. I don't know. There wasn't a version of me left that could tell you what I would or wouldn't have done.

They let me go eventually. Not gently. Just — released, the way you drop something you've decided isn't worth holding anymore.

No one from the house came for me after that. No car. No assistant with a clipboard and a change of clothes. Angelina didn't call. Caspian didn't call. So two days later I walked down to the hospital gift shop myself, still moving slow, still tender along my ribs where Dario's other hand had gripped, and I found a black dress on a rickety rounder rack between the get-well balloons and the plush teddy bears holding satin hearts. It was polyester. It didn't fit right in the shoulders. I bought it anyway, because it was black, and because it was mine to buy.

The funeral home called it "cremation services," like it was a spa package. I sat alone in a small beige office and signed where they told me to sign, and a woman with kind eyes and a soft voice asked if I wanted to select an urn from their catalog or bring my own.

I chose the smallest one. Plain white ceramic, no engraving, because I couldn't make myself choose words yet, and because some part of me — the part that still believed if I just held very still, if I didn't ask for too much, none of this would be quite as real — thought maybe simple was safer.

I carried her home in a paper bag. I sat in the back of a cab with the bag on my lap and my hands folded over it, and I didn't look out the window once. The driver asked if I was okay. I said yes. He didn't ask again.

The city went by outside, indifferent as always, all that light and noise. I held the bag steady the whole way, the way you hold something when you've already lost everything else you were supposed to protect, and there's nothing left to do but keep this one thing from breaking too.

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