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His Mistress Smashed My Daughter’s Ashes Novel Cover

His Mistress Smashed My Daughter’s Ashes

Going into labor unexpectedly at thirty-four weeks, a terrified woman arrives alone at Manhattan Presbyterian in the middle of the night. Desperate for her husband Caspian's comfort, she expects him to rush to her bedside. While he does arrive moments later, the doors do not open for her. This high-tension modern novel of betrayal explores a crumbling marriage, a husband's dark indifference, and the devastating moment a mother realizes she must face her nightmare completely on her own.
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Chapter 4

Angelina called it a family correction. That was the phrase she used, standing in the ballroom doorway in a gray silk dress, like she was announcing a change to the seating chart for a dinner party.

The staff lined the walls. I recognized most of them — the housekeepers, the driver, a boy who usually just refilled ice buckets at parties. None of them looked at me. They looked at the floor, or the chandelier, or their own hands. I understood. Looking meant choosing a side, and no one in that house could afford to choose mine.

"Take off your cardigan," Angelina said.

I did. My hands didn't shake. I had decided, somewhere between the car ride from the hospital and this room, that my hands were not going to shake again in front of these people. Ever.

Caspian stood at the far window with his back to the room. He hadn't turned around once, not when I walked in, not when Angelina lifted the riding crop off the side table where it had been waiting, coiled like something asleep. I watched the line of his shoulders. He didn't move them. Not even a little.

"You failed to protect the Harrison heir," Angelina said. "Ninety-nine strikes. One for every year this family has had to clean up after people like you."

I didn't ask what that meant. I already knew. It meant my father's money, years ago, when Harrison Corp was two bad quarters from the ground. It meant a debt she'd never once called even, only interest, compounding, paid in humiliations instead of dollars.

The first strike landed across my back and I bit down hard enough to taste blood at the corner of my mouth. I counted. One. I kept counting because counting was something to do with my mind besides feeling it. Two. Three. Somewhere around twelve I stopped feeling my knees and started feeling only the numbers, climbing, a ladder I was forced to keep building rung by rung.

"You were never worthy of being a surrogate," Angelina said, somewhere past forty, her voice as even as if she were reading off a grocery list. "Let alone a wife."

Fifty-one. Fifty-two. I locked my jaw so tight my teeth ached separately from everything else that ached.

Caspian's shoulders never moved. Not once. Not at sixty, not at eighty, not when my legs finally gave and a housekeeper — I never learned her name, I wish I had — put out a hand I didn't take, because taking it would have meant admitting I needed it, and I had decided that too, somewhere in that car.

Ninety-nine. Angelina lowered the crop like she was setting down a fork after a meal. "There," she said. "Now we're square."

We were not square. We would never be square. But I didn't say that. I didn't say anything. I pulled my cardigan back over my shoulders, and the fabric against the welts felt like fire being poured slow from a kettle, and I walked out of that ballroom on legs that belonged to someone braver than I felt.

I didn't cry until I reached the small sitting room where they'd let me keep her ashes. The urn sat on the side table by the window, plain white ceramic, the only thing in that entire house that was fully, only mine.

I was still standing over it, one hand resting light on the lid, when Lilith came in without knocking.

"A woman who can't even keep a child," she said, her voice pitched high and bright, like she was delivering good news, "can't keep a husband either."

"Get out."

She didn't get out. She crossed the room in three quick steps and picked up the urn before I could get my hand around it, and I grabbed for her wrist, and she was faster, or maybe I was just too slow, too torn open, too far past the edge of my own strength.

She threw it.

It hit the marble and the sound was worse than anything the crop had made. A high crack, then a scatter, ceramic shards skidding wide across the veined stone floor, and under them — over them — a fine gray dust already settling into the grout lines like it had always belonged there.

I was on my knees before I decided to be. My hands were in the ash before I told them to move. I don't remember making a sound. I remember the grit of her under my fingernails, remember thinking, absurdly, that I had to be careful, as if there was a wrong way to hold what was left of my daughter and I might do it.

Angelina appeared in the doorway. She looked at the mess, at me on the floor, at Lilith standing over both of us with her chest still heaving from the effort of throwing something so small.

"Sweep this up," Angelina said to the staff gathering behind her, already turning away. "Before she makes more of a scene."

They came with brooms before I had both hands full. I watched the last of her disappear into a dustpan, into a black plastic bag, into nothing, and I understood, kneeling there with gray under my fingernails, that this house had just shown me, with perfect clarity, exactly how little I was ever going to be allowed to keep.

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