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When My Ex Staged My Husband’s Fatal Stunt Accident Novel Cover

When My Ex Staged My Husband’s Fatal Stunt Accident

A widow’s world shatters when her husband dies in a suspicious stunt mishap. She soon uncovers a chilling truth: her obsessive ex-boyfriend masterminded the fatal accident to remove his competition and force her back into his life. Now caught in a web of billionaire power and treachery, she must confront the man who ruined her happiness. Amidst dark secrets, she fights for justice against a manipulator determined to possess her at any cost.
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Chapter 2

The Bishop-Jenkins wedding was a marvel of modern extravagance—five hundred guests, a cathedral venue, and enough white roses to fill a botanical garden. The society pages called it the union of the year. Easton looked every inch the conquering hero in his tailored tuxedo, his new wife radiant beside him in a gown that probably cost more than most people's houses. I wasn't there, of course. I was somewhere over the Atlantic, watching clouds and trying not to think about orange blossoms.

At the reception, Easton circled the room like a man fulfilling obligations. Handshakes with business partners, polite conversation with Florence's family, the occasional practiced smile for the cameras. He was perfect, as always. But then he saw it—the ornate fruit display on the main table, a cascade of gleaming oranges arranged like art.

His hand moved without thought, reaching for one with the casual entitlement of a man who had never had to consider where his next orange would come from. His fingers closed around the cool skin, and for a moment, the world narrowed to that single point of contact.

Then his mind caught up to his body.

There was no gentle pressure on his shoulder. No soft voice saying, "Let me." No careful hands appearing to take the fruit, to peel it into perfect spirals, to separate the slices onto his plate. There was just... the orange. Whole. Unprepared. Foreign.

Easton's fingers went still. The fruit felt wrong in his hand—too heavy, too rough, too real. Around him, the reception continued its flawless progress, but he couldn't move. Couldn't breathe. Couldn't understand why his throat had suddenly closed around a knot of something that felt dangerously like grief.

Florence appeared at his side, her arm sliding through his with practiced ease. "Darling, the Hendersons want to toast us. Are you all right? You look..."

He dropped the orange back onto the display. The sound it made hitting the table seemed too loud, too final. "Fine," he said. "I'm fine. Let's go."

But he wasn't fine, and three months later in a rain-soaked market in Lisbon, neither was I.

The produce stall blurred through my tears, oranges piling up like accusations. My hands shook as I reached for one, and then another, and then I was sobbing—deep, ugly, wrenching sobs that tore through my chest and echoed off the ancient stones. Seven years of silence came pouring out of me, seven years of hands that didn't shake, of smiles that didn't crack, of being so small that no one could see me disappear.

"Maia?" Louise's voice seemed to come from very far away. "Maia, breathe. Just breathe."

I couldn't. Not until she pulled me back to our hotel room, sat me on the edge of the bed, and pressed an orange into my hands. "Peel it," she said gently. "If it helps, peel it. But this time, do it for yourself."

My fingers found the familiar rhythm—thumb into the skin, pressure applied, the slow revelation of the fruit beneath. The peel curled away in long, clean spirals, and I felt my breathing slow. My hands steadied. The trembling stopped.

Louise took a Polaroid camera from her bag and snapped a photo of me mid-peel. The flash was bright and honest. "Evidence," she said, holding the developing image. "Evidence that you exist. That you survived. That you're more than what he left behind."

Three years passed like that—one Polaroid at a time, one country at a time, one day of not peeling oranges for Easton Bishop at a time. I rebuilt myself from the ground up. I found work that mattered. I learned who I was when I wasn't performing for someone else's approval.

Then came the night of the media gala, and I walked into that ballroom like I owned it. My dress was simple but striking, my posture easy but confident. I was there as a guest, not an accessory.

And that's when I saw him.

Easton stood across the room, surrounded by the usual orbit of power and privilege, but he might as well have been standing alone. His eyes found mine with the precision of a heat-seeking missile, and I watched his composure crack.

He saw me—really saw me—for the first time. Not the shadow who peeled his oranges. Not the convenient arrangement who asked for nothing. But a woman who had walked away and built something real from the ashes he'd left behind.

I held his gaze for three heartbeats, then turned and walked toward the bar, leaving him standing there with his mouth slightly open and his carefully constructed world tilting off its axis.

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