
Wedding Betrayal Unveiled
Chapter 2
The Metropolitan Opera's charity gala had always been one of my favorite events of the season. Tonight, though, as I stood alone by the champagne fountain in my Valentino gown, it felt like walking into a battlefield.
"Elliot Rivera," Diana Walsh, the society columnist, approached with her signature predatory smile. "I heard the most fascinating rumor about you and Felix."
I sipped my champagne slowly. "Did you?"
"Something about a broken engagement?" She tilted her head, pen poised over her notepad. "Care to comment?"
"Not at the moment," I replied, my eyes tracking movement across the room.
Felix had just arrived—with Aniyah on his arm.
They made quite the entrance. He wore a tailored black tuxedo that I'd purchased for him last month, while she draped herself in a crimson dress that clung to every curve. Her auburn hair cascaded down her back in wild waves, a stark contrast to my own sleek chignon.
"Look at them," Mrs. Harrington whispered beside me. "So... public."
I watched as Felix guided Aniyah through the crowd, stopping to introduce her to everyone who mattered in Manhattan society. His hand rested possessively on the small of her back as he leaned in to whisper something in her ear.
"This is Aniyah Simmons," I heard him tell the governor's wife. "My artistic inspiration and true love."
The words sliced through me like a blade, but I kept my expression neutral. Three years of loving Felix, and now I was nothing more than a discarded business transaction to him.
"Ladies and gentlemen," the event coordinator announced, "we have a special performance tonight."
Aniyah stepped forward, her eyes finding mine across the room. She smiled—a predatory curl of her lips—before kneeling on the marble floor.
"What is she doing?" someone murmured.
Aniyah produced a small blade from her clutch. With theatrical precision, she drew it across her palm, blood welling up from the cut.
"Blood is the most honest medium," she announced, dipping her fingers into the crimson liquid. "It cannot lie or be bought."
She began painting on a canvas someone had provided, her movements fluid and practiced. The conservative crowd gasped and whispered, some turning away in disgust.
I cataloged every face—those who watched with fascination, those who turned away in horror, those who whispered behind their hands about the appropriateness of such a display.
"Quite the statement," Diana murmured beside me. "Though I wonder what it's really about."
I knew exactly what it was about. This wasn't just art—it was a declaration of war.
---
A week later, I sat in my office reviewing the monthly statements when my assistant knocked on the door.
"Miss Rivera, I thought you should see this immediately." She placed the American Express statement on my desk.
I flipped through the pages, my eyes narrowing at the charges.
"Fifty thousand for gallery rental," I read aloud. "Thirty thousand in art supplies. Twenty-five thousand for catering."
All for Aniyah's exhibition. All charged to my card.
"He's been using your account extensively," my assistant added carefully. "Should I call the bank?"
I traced my finger over Felix's signature on the receipts. So arrogant, so sure I wouldn't notice or wouldn't care.
"No," I said finally. "Document everything. Every charge, every transaction."
"But Miss Rivera—"
"I want a complete record," I continued, my voice steady despite the rage building inside me. "Dates, amounts, locations. Every detail."
She nodded, though confusion flickered across her face. "And... should we cancel the card?"
I smiled for the first time in days. "No. Let him use it."
---
The headline glared from my tablet screen: "CONTROLLING ICE QUEEN TRIED TO CAGE FREE ARTISTIC SOUL."
Manhattan Style's latest issue featured Felix's brooding face on the cover, with Aniyah standing behind him like a martyr.
"According to sources close to the couple," I read aloud, my voice hollow in the empty room, "'Elliot Rivera attempted to control every aspect of Felix Chapman's life, including his artistic expression.'"
The article continued with fabricated stories of my supposed emotional abuse—how I'd tried to dictate what he wore, who he spoke to, even what colors he used in his paintings.
"Sources say Chapman finally broke free from Rivera's golden cage to pursue true love with his childhood friend, performance artist Aniyah Simmons."
I scrolled through the comments section, watching as #FreeFelix and #GoldDiggerHeiress trended on social media.
"Entitled heiress thinks she can buy love," one commenter wrote.
"Emotionally abusive rich girl doesn't understand real art or real love," another added.
My phone buzzed with a text from my mother: "Don't read the articles. It's all nonsense."
But it wasn't nonsense to the thousands of people now consuming this carefully crafted narrative.
I set down my tablet and walked to the window, looking out over Manhattan's skyline. Somewhere out there, Felix was probably celebrating his media victory, believing he'd successfully painted me as the villain.
He had no idea what was coming.
My phone rang—Marcus Chen, my private investigator.
"Miss Rivera," he said when I answered. "I found something you need to see. About Mr. Chapman's father."
I smiled as I listened to his report. The first piece of my counterattack was falling into place.
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