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My Family Betrayed Me, So I Married the Ruthless Billionaire Novel Cover

My Family Betrayed Me, So I Married the Ruthless Billionaire

After her family drugs her and her fiancé betrays her trust, she is forced into a marriage of convenience with Alexander Sterling. The cold tycoon believes she planned the trap and vows to never love her. Yet, as she fights for her independence and exposes the truth, his hostility transforms into an obsessive desire. When her relatives plot her final ruin, this powerful billionaire will risk everything to protect the one woman he cannot bear to lose.
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Chapter 1

The email came at 11:47 p.m., fourteen hours before my wedding.

No sender name. No subject line. Just a video file, thirty-one seconds long, and a thumbnail I recognized before I ever pressed play — the amber lamp in the lobby bar of the Grantham Hotel, the one Ethan always said gave him a headache.

I pressed play with my thumb still wet from washing off my face mask.

My sister's mouth was on my fiancé's. Her hand was inside his shirt. He was holding the back of her neck the way a man holds something he's held a thousand times before.

The phone slid out of my hand and cracked against the bathroom tile.

I don't know how long I sat there. The tile went cold through my robe. My heart wasn't racing — it was doing something worse, thudding slow and heavy like a fist against a door, and every beat pushed a wave of nausea up my throat. My vision tunneled to a single point: the hairline crack in my phone screen, running right across Isabella's cheek. Somewhere down the hall the housekeeper ran water. I could hear it too clearly. I could hear my own molars grinding.

The dress was hanging on the closet door six feet away. Twelve fittings. I'd stood still for twelve fittings while a woman with pins in her mouth told me I had a beautiful back.

I threw up in the sink.

Then I picked up the phone, wiped my mouth on my sleeve, and drove to the Grantham.

---

Room 1104. Ethan opened the door in a hotel robe, and behind him, sitting cross-legged on the bed eating room service fries, was my sister.

"Vicky," Isabella said. She didn't even put the fry down. "You look terrible."

"Twenty-eight days," I said. "You were at my final fitting twenty-eight days ago. You cried."

"I did cry." She licked salt off her thumb. "I felt awful."

Ethan Sterling — the boy who taught me to ride a bike, the man whose ring was cutting into my finger — shut the door behind me with a quiet click, like he was containing a mess rather than facing one.

"Sit down, Victoria."

"Say it out loud." My voice came out flat and strange, someone else's voice using my mouth. "Say it so I can hear it in a room and not on a screen."

He didn't hesitate. That's the part I'll remember. He didn't even take a breath first.

"I've been in love with Isabella since I was nineteen," Ethan said. "You were the sister my father approved of. That's all it ever was."

The air conditioner kicked on above me. Cold air across my collarbone. I noticed I was still holding my car keys, and the metal had cut a red line into my palm, and I hadn't felt it happen.

"Nine years," I said.

"Nine years you were convenient."

Isabella slid off the bed then, and I saw it — the way she smoothed her hand over her stomach. Not a nervous gesture. A protective one. A practiced one.

My stomach dropped out of me.

"How far along," I said.

"Eleven weeks." She smiled, and it was so sweet, so genuinely happy, that for one second I thought I might put my hands around her throat. "Mom and Dad already know. They've known for six days."

---

Six days.

I drove home on the shoulder twice. My hands were shaking so hard the wheel jittered under them, and there was a high thin sound in my ears that didn't stop until I was standing in my father's study with the video still open on my cracked phone, holding it out like evidence in a courtroom where I was the only one who thought a crime had occurred.

My mother was already sitting down. She'd had time to arrange her cardigan.

"Sit down, Victoria," my father said.

"That's the second time tonight somebody's told me to sit down." I set the phone face-up on his desk. Ethan's hand on my sister's neck, frozen mid-frame. "Look at it."

He didn't look at it. He looked at his own folded hands.

"The Sterling merger closes in March," my father said. "If the marriage falls apart, Charles Sterling walks and we lose the port contracts. Do you understand what that means for four thousand employees?"

"You knew." My knees were going. I locked them. "Six days, and you let me pick out the flowers."

My mother spoke into her lap. "We were finding a solution."

"There's a solution?" I laughed. It came out wrong, cracked in the middle. "There's a solution to my sister being pregnant with my fiancé's baby?"

Then my father reached into his drawer and took out a folder. Cream-colored. Corner already softened from handling.

He'd had it for days.

"Isabella will marry Ethan," he said. "Quietly. Next month."

"And I'm what, a bridesmaid?"

"You'll marry Alexander Sterling."

The room tilted. Not metaphorically — the bookshelf slid left in my vision and slid back, and I had to put a hand on the desk. My mouth flooded with the taste of copper.

Alexander Sterling. Charles's eldest son. The one whose name people lowered their voices to say. The one nobody in this city had a photograph of.

"Isabella was promised to him," my father said. "Six months ago. Before all this. The Sterlings need one of my daughters in that house and they need her by tomorrow."

"Promised." I could barely get the word up. "You sold her to the brother and she went and got pregnant by the other one, and now you're — "

"Now I'm asking you to save this family."

"No."

"Victoria."

"No." I shoved the folder off his desk. Papers went across the rug. "Find another daughter."

My mother stood up. She crossed the room, and her face did something I hadn't seen since I was eleven and had pneumonia — it went soft, and tender, and she touched my hair.

"You're exhausted," she said. "Let me make you tea."

---

The tea was chamomile. She put honey in it because I like honey.

I drank it because her hand was on my back and I was crying and I wanted, for eleven seconds, for my mother to be my mother.

The cup was white with a gold rim. I remember watching the last of it go down, and I remember my mother taking the cup out of my hand and setting it very carefully on the saucer so it wouldn't clink, and I remember thinking, why is she being so careful about the noise.

Then the ceiling went far away.

---

I woke up moving.

That was the first thing — motion. A car turning. Then the smell: hairspray and roses and something chemical. My tongue was thick and dry, stuck to the roof of my mouth. My eyelids weighed as much as my whole head.

I was in white.

Layers of it, packed around me, a boned bodice cranked so tight I could only breathe from the top of my chest. Someone had painted my mouth. Someone had put my hair up in forty pins, and I could feel every single one of them pulling.

There was a veil over my face. The world came through it in soft gray squares.

"Stop the car." My voice was a scrape. "Stop the car."

The woman beside me — a stranger, headset, clipboard, a stylist's belt of brushes — put a hand on my forearm.

"Miss Hayes, we're four minutes out."

I clawed at the seat, at the door, at the layers of white. My fingers were slow and stupid. The door handle wouldn't move.

"My phone." I heard how it sounded, how it sounded exactly like a crazy woman in a wedding dress. "Where's my phone, where's my bag, my passport was in my — "

"Your mother has your things." The stylist said it kindly. That was the obscene part. She said it kindly. "She said you'd be emotional."

I got my nails into the door seal. I remember tasting lipstick. I remember the pins pulling loose and the stylist saying *oh no, oh no, your hair* like that was the tragedy in this car.

Then the car stopped, and both doors opened at once, and there were two men in gray suits standing there who were not ushers. One of them took my elbow the way security takes an elbow.

"Let go of me," I said.

"Right this way, Miss Hayes."

They walked me up marble steps in shoes that weren't mine. My legs kept trying to fold and the men kept them from folding. Somewhere ahead of me an organ started, and the sound went through my ribs like a hand.

The doors opened.

Four hundred faces turned. Four hundred. Every one of them smiling.

I made it eighteen steps down that aisle before I understood that screaming would only mean the story I got for the rest of my life was *the bride who screamed*, and I stopped fighting the hands, and I let them deliver me.

He was waiting at the end.

Black suit. Taller than Ethan. Shoulders that made the officiant look like furniture. I couldn't see his face through the veil, only the shape of him, and the shape of him was completely still — stiller than anyone in that room, stiller than the flowers.

A hand came up. Long fingers. A watch with a cracked crystal, of all things, on a man wearing forty thousand dollars of tailoring.

He lifted my veil.

I saw his eyes and I forgot to breathe. Gray. Not cold — *empty*, the way a room is empty. They moved over my face once, left to right, the way you read a line of print.

And then something happened in them. They changed. They went from empty to something with weight behind it, something that made the muscles in my neck lock up.

His hand closed around the veil and crushed it in his fist.

He bent his head toward my ear, close enough that the guests would think it was tender, close enough that his breath moved the loose pin at my temple, and he said it so quietly that only I could hear:

"Isabella. You actually had the nerve to show up."

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